The History Of The Primary Sources

Published Date: 02 Nov 2017

Keats, John. The letters of John Keats : 1814-1821. In 2 vols. Ed. Hyder Edward Rollins. Cambridge: The University Press, 1958.

Keats, John. The Poetical Works of John Keats. Boston : Little, Brown and Company, 1863.

Scott, Sir Walter. The Journal of Sir Walter Scott. Ed. W. E. K. Anderson. London: Oxford University Press, 1972.

Shakespeare, William. The Complete Works of Shakespeare. Ed. David Bevington. 4th ed. London : Longman , Addison Wesley Longman, 1997.

Shelley, Percy Bysshe. Lyrics and Shorter Poems. Poetical Works in 2 Vols. London: J.M. Dent & Sons Ltd, 1949.

Shelley, Percy Bysshe. The Complete Poetical Works. Ed. Thomas Hutchinson. Oxford: Oxford University Press, 1960.

Shelley, Percy Bysshe. The Complete Works. Poems-Prose-Letters. In X vols. Ed. R. Ingpen and W. E. Peck. London: Ernest Benn Limited; New York: Gordian Press, 1965.

Wordsworth, William. The Poetical Works. Vol. II. Ed. E. De Selincourt. 2d ed. Oxford : The Clarendon Press, 1952.

The secondary sources:

Abrams, Meyer Howard. English Romantic Poets. Modern Essays in Criticism. 2d ed. Oxford: Oxford University Press, 1975.

Baker, John Ross. "Poetry and Language in Shelley's "Defence of Poetry". The Journal of Aesthetics and Art Criticism, Vol. 39, No. 4 (Summer, 1981), pp. 437-449

Barton, Anne. "Byron and Shakespeare". The Cambridge Companion to Byron. Ed. Drummond Bone. Cambridge: Cambridge University Press, 2004.

Bate, Jonathan. "Shakespeare's tragedies as working scripts". Critical Survey. Vol. 3, No. 2 (1991), pp. 118-127

Bate, Jonathan. Shakespeare and the English Romantic Imagination. Oxford: Clarendon Press, 1989.

Bates, Ernest Sutherland. A Study of Shelley's Drama "The Cenci". New York : Columbia University Press, 1908

Beaudry, Harry R. The English Theatre and John Keats. Vol. 13: Poetic Drama and Poetic Theory. Salzburg: Institut für Englische Sprache und Literatur, Universität Salzburg, 1973.

Bentley, G. E., Jr. "Byron, Shelley, Wordsworth, Blake, and "The Seaman's Recorder". Studies in Romanticism, Vol. 9, No. 1 (Winter, 1970), pp. 21-36

Blank, G. Kim. "Hamlet, Shelley, and the Air-Eating Chameleon". ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, Vol. 2, No. 2, 1986, pp. 48-50

Blank, G. Kim. The New Shelley: Later Twentieth-Century Views. London: Macmillan, 1991.

Charlton, Henry Buckley. Shakespearian Tragedy. Cambridge : The University Press, 1952.

Chayes, Irene H. "Rhetoric as Drama: An Approach to the Romantic Ode". PMLA, Vol. 79, No. 1 (Mar., 1964), pp. 67-79

Chernaik, Judith. The Lyrics of Shelley. Cleveland & London: The Press of Case Western Reserve University, 1972.

Clark, David Lee "Shelley and Shakespeare". PMLA, Vol. 54, No. 1 (Mar., 1939), pp. 261-287

Clemen, Wolfgang. The Development Of Shakespeare's Imagery. London: Routledge, 1977.

Cohen, Murray. The Poetry of Percy Bysshe Shelley. New York: Monarch Press, 1965.

Coleridge, Samuel Taylor. Coleridge’s Criticism of Shakespeare. A Selection. Ed. R.A. Foakes. London: Continuum International Publishing Group, 2001.

Collins, Ben L. "The Stanzaic Pattern of Shelley's "Ode to the West Wind". Keats-Shelley Journal, Vol. 19 (1970), pp. 7-8

Cowling, George. "Shakespearean Comedy". Shelley and Other Essays. Melbourne: Melbourne University Press, 1936, pp. 109-130.

Cox, Jeffrey N. "Keats, Shelley, and the Wealth of the Imagination". Studies in Romanticism, Vol. 34, No. 3, On Keats in 1995 (Autumn, 1995), pp. 365-400

Cronin, Richard. Shelley’s Poetic Thoughts. London: Macmillan, 1981.

Cruttwell, Patrick. The English Sonnet. London: Longmans, Green & Co, 1966.

Curran, Stuart. The Cambridge Companion to British Romanticism. 2d ed. Cambridge: The University Press, 2010.

D’Avanzo, Mario L. "Childe Rolande to the Dark Tower Came": The Shelleyan and Shakespearean Context". Studies in English Literature, No. 17 (Autumn, 1977), pp.695-708

Danby, John F. Shakespeare's Doctrine of Nature: A Study of King Lear. London: Faber and Faber, 1949.

Diakonova, Nina Yakovlevna. The Aesthetic Theory of English Romanticism. Moscow: Nauka, 1978.

Dowden, Edward. The Life of Percy Bysshe Shelley. 7th ed. London : Routledge & Kegan Paul LTD, 1951.

Duffy, Edward. "Where Shelley Wrote and What He Wrote For: The Example of "The Ode to the West Wind". Studies in Romanticism, Vol. 23, No. 3, Percy Bysshe Shelley (Autumn, 1984), pp. 351-377

Eagleton, Terry. William Shakespeare. Oxford : Oxford University Press, 1986.

Elliott, George Roy. Dramatic Providence in Macbeth. Princeton: Princeton University Press, 1960.

Epstein, Andrew. "Flowers That Mock the Corse beneath": Shelley's "Adonais", Keats, and Poetic Influence". Keats-Shelley Journal, Vol. 48 (1999), pp. 90-128

Farnell, Gary. "Rereading Shelley". ELH, Vol. 60, No. 3 (Autumn, 1993), pp.625-650

Fogle, Richard Harter. "The Imaginal Design of Shelley's "Ode to the West Wind". ELH, Vol. 15, No. 3 (Sep., 1948), pp. 219-226

Fraistat, Neil. "Illegitimate Shelley: Radical Piracy and the Textual Edition as Cultural Performance". PMLA, Vol. 109, No. 3 (May, 1994), pp. 409-423

Frye, Northrop. Fools of Time: Studies in Shakespearean Tragedy. Toronto : University of Toronto Press, 1967.

Gelpi, Ð’arbara Charlesworth. "The Nursery Cave: Shelley and the Material ". The New Shelley: Later Twentieth-Century Views. Ed. By G. Kim Blank, London: Macmillan, 1991, pp. 42-63

Godwin, Parke. "Percy Bysshe Shelley (Dec.,1843)". Percy Bysshe Shelley: The Critical Heritage. Ed. James E. Barcus. London: Routledge, 1975.

Gold, Elise M. "King Lear and Aesthetic Tyranny in Shelley's The Cenci, Swellfoot the Tyrant, and The Witch of Atlas". English Language Notes, Vol. 24, No. 1 (Sept, 1986), pp. 58-70.

Hall, Jean. The Transforming Image: A Study of Shelley's Major Poetry. Urbana: University of Illinois Press, 1980

Hamlin, Cyrus. "The Hermeneutics of Form: Reading the Romantic Ode". Boundary 2, Vol. 7, No. 3, Revisions of the Anglo-American Tradition: Part 2 (Spring, 1979), pp. 1-30

Han, Younglim. Romantic Shakespeare: from stage to page. Cranbury : Associated University Press, 2001.

Harrington-Lueker, Donna. "Imagination versus Introspection: "The Cenci" and "Macbeth". Keats-Shelley Journal, Vol. 32, (1983), pp. 172-189

Havens, Raymond D. "Structure and Prosodic Pattern in Shelley’s Lyrics". PMLA. Vol. 65, No. 6 (Dec., 1950), pp.1076-1087

Haworth, Helen E. "Ode to the West Wind" and the Sonnet Form". Keats-Shelley Journal, Vol. 20 (1971), pp. 71-77

Hazlitt, William. The round table; Characters of Shakespeare's plays. London: Dutton, 1951.

Hoagwood, Terence. Rev. of A Moment's Monument: Revisionary Poetics and the Nineteenth-Century English Sonnet by Jennifer Ann Wagner, South Central Review, Vol. 15, No. 1 (Spring, 1998), pp. 57-60

Hogle, Jerrold E. Shelley's Process: Radical Transference and the Development of His Major Works. Oxford: Oxford University Press, 1988

James, David Gwilym. "Keats and King Lear". Shakespeare Survey. Vol. 13. Cambridge : Cambridge University Press, 1960, pp. 58-68.

Jost, François. "Anatomy of an Ode: Shelley and the Sonnet Tradition". Comparative Literature, Vol. 34, No. 3 (Summer, 1982), pp. 223-246

Kiernan, Pauline. "Death by Rhetorical Trope: Poetry Metamorphosed in Venus and Adonis and the Sonnets". The Review of English Studies, New Series, Vol. 46, No. 184 (Nov., 1995), pp. 475-501

King-Hele, Desmond. Shelley. His Thought and Work. 2d ed. London: Macmillan, 1971.

Knight, George Wilson. Byron and Shakespeare. London: Routledge & Kegan P., 1966.

Knight, George Wilson. The Wheel of Fire : Interpretations of Shakespearian Tragedy with Three Essays. London: Methuen, 1968.

Komarova, Valentina Petrovna. Metaphors and allegories in Shakespeare’s works. Leningrad : Leningrad University Press, 1989.

Komarova, Valentina Petrovna. The man and the state in Shakespeare’s history plays. Leningrad : Leningrad University Press, 1977.

Langston, Beach. "Shelley’s Use of Shakespeare". Huntington Library Quarterly. Vol. 12, No. 2 (Feb., 1949), pp. 163-190

Lau, Beth. Rev. of Wordsworth's Influence on Shelley: A Study of Poetic Authority by G. Kim Blank, Studies in Romanticism, Vol. 31, No. 2 (Summer, 1992), pp. 272-276

Leal, Amy. Negative Capabilities: Keatsian Tresholds from "King Lear" to "Vampyr". (Ph. D. dissertation). City University of New York, 2005.

Lee, Kyung-Ook. Wholeness in fragments: Coleridge's Shakespearean criticism. (Ph. D. dissertation). University of Glasgow, 2000.

Lever, J.W. The Elizabethan Love Sonnet. London: Methuen & Co; Ltd, 1966.

Mahony, Patrick J. "An Analysis of Shelley's Craftsmanship in Adonais". Studies in English Literature, 1500-1900, Vol. 4, No. 4, Nineteenth Century (Autumn, 1964), pp. 555 -568

Montag, Linda. "Byron's Allusions to Shakespeare in Don Juan ." The Byron Journal. No. 30 (2002), pp. 29-37.

Mortenson, Peter. "Image and Structure in Shelley's Longer Lyrics". Studies in Romanticism, Vol. 4, No. 2 (Winter, 1965), pp. 104-110

Moschovakis, Nicholas Rand. Macbeth : New Critical Essays. New York : Routledge , 2008.

Nath, Prem. "Shelley and Shakespeare". AN&Q. (Jan./Feb., 1983), pp.71-72.

Ouida. "A New View of Shelley". The North American Review, Vol. 150, No. 399 (Feb., 1890), pp. 246-262

Parfenov, Alexandr, and Joseph G. Price. Russian Essays on Shakespeare and His Contemporaries. Cranbury: Associated University Presses, 1998.

Parr, Johnstone. "Shelley's "Ozymandias". Keats-Shelley Journal, Vol. 6 (Winter, 1957), pp. 31-35

Parrott, Thomas Marc. "God's" or "gods'" in King Lear, V. iii. 17". Shakespeare Quarterly, Vol. 4, No. 4 (Oct., 1953), pp. 427-432

Pinsky, Leonid Efimovich. The tragic in Shakespeаre’s Works. Мoscow: Fiction Publishers, 1971.

Pirie, David B. Shelley. (Open guides to literature). Milton Keynes and Philadelphia: Open University Press, 1988.

Reiman, Donald H. Percy Bysshe Shelley. New York: Twayne Publishers, 1969.

Roe, Nicholas. The Politics of Nature: William Wordsworth and Some Contemporaries. 2nd ed. Basingstoke: Palgrave Macmillan, 2002

Rogers, Neville. Shelley at Work. A Critical Inquiry. 2d ed. Oxford: The Clarendon Press, 1967.

Schlegel, Friedrich von. On the Study of Greek Poetry. Ed. by Stuart Barnett. Albany: State University of New York Press, 2001.

Schulze, Earl J. Shelley’s Theory of Poetry. A Reappraisal. The Hague, Paris : Mouton & Co., 1966.

Sells, A. Lytton. "Zanella, Coleridge, and Shelley". Comparative Literature, Vol. 2, No. 1 (Winter, 1950), pp. 16-30

Shelley's Prometheus Unbound: A Variorum Edition. Ed. Lawrence John Zillman. Seattle: University of Washington Press, 1959

Singh, Sheila Uttam. Shelley and the Dramatic Form. Salzburg: Institut für Englische Sprache und Literatur, Universitaet Salzburg, 1972

Sng, Zachary. "The Construction of Lyric Subjectivity in Shelley's "Ozymandias". Studies in Romanticism, Vol. 37, No. 2 (Summer, 1998), pp. 217-233

Speaight, Robert. Nature in Shakespearian tragedy. New York: Collier Books, 1962.

Spender, Stephen. A Choice of Shelley’s Verse. London: Faber and Faber, 1971.

Sperry, Stuart M. "Byron and the Meaning of "Manfred". Criticism. Vol. 16, No. 3 (Summer 1974), pp. 189-202

Sperry, Stuart M. Shelley's Major Verse: The Narrative and Dramatic Poetry. Cambridge, Mass.: Harvard University Press, 1988

Spurgeon, Caroline. Shakespeare's Imagery, and What It Tells Us. Cambridge: The University Press, 1965.

Steffan, Truman Guy. "Seven Accounts of the Cenci and Shelley's Drama". Studies in English Literature, 1500-1900, Vol. 9, No. 4, Nineteenth Century (Autumn, 1969), pp. 601-618.

Strzeletsky, Jerzy. The English Sonnet. Syntax and Style. Krakow: Nakladem Uniwersytetu Jagiellonskiego, 1970.

Tetreault, Ronald. "Shelley: Style and Substance". The New Shelley: Later Twentieth-Century Views. Ed. By G. Kim Blank, London: Macmillan, 1991, pp. 15-33.

Thatcher, David. "Shakespeare and Shelley’s Chameleons". ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, Vol. 13, No. 1, 2000, pp.18-21

Thierfelder, Ð’ill. "Wordsworth's Ode: Intimations of Immortality, Shakespeare's The Tempest 5.1, and Vaughan's The Retreat". Explicator, Vol. 63, No. 3 (Spring 2005), pp. 136-138.

Vatalaro, Paul. "The Semiotic Echoes in Percy Shelley's Poems to Jane Williams". Keats-Shelley Journal, Vol. 48 (1999), pp. 69-89

Wasserman, Earl R. "Adonais: Progressive Revelation as a Poetic Mode". ELH, Vol. 21, No. 4 (Dec., 1954), pp. 274-326

Watson, Sara Ruth. "Shelley and Shakespeare: An Addendum a Comparison of Othello and the Cenci". PMLA, Vol. 55, No. 2 (Jun., 1940), pp. 611-614.

Weaver, Ð’ennett. "Prometheus Bound and Prometheus Unbound". PMLA, Vol.664, No.1 (Mar., 1949), pp. 115-133

Weaver, Ð’ennett. Prometheus Unbound. Michigan: Archon Books, 1969.

Weller, Barry. "Shakespeare, Shelley and the Binding of the Lyric". MLN, Vol. 93, No. 5, Comparative Literature (Dec., 1978), pp. 912-937.

White, Newman Ivey. "Shelley's "Charles the First". The Journal of English and Germanic Philology, Vol. 21, No. 3 (Jul., 1922), pp. 431-441

White, Newman Ivey. Portrait of Shelley. New York: Alfred A. Knopf, 1945

Woodings, R.B. Shelley. Modern Judgements. London: Macmillan, 1968.

Woodman, Ross Greig. "The Metaphor and the Allegory in Prometheus Unbound". The New Shelley: Later Twentieth-Century Views. Ed. By G. Kim Blank, London: Macmillan, 1991, pp. 166-183

Zbierski, Henryk. "Some Notes on the Structure and Imagery of Shelley's "Ode to the West Wind". Studia Anglica Posnaniensia, Vol. 1, No 1–2(1968), pp. 91–99.

Zitner, Sheldon P. "The Fool’s Prophecy". Shakespeare Quarterly, Vol. 18, No. 1 (Winter, 1967), pp. 76-80